Ramesha K Barti Looks that Matter
, Cinemalove,#films #webseries #cidlover,#actorlife, - Writer, Director, Actor, Author #rameshakbarti Looks an actor, Cid and Bullets, #CID Cid Fan Come lets Create, Live and be Happy
Monday, 10 November 2025
Ramesha k barti - looks that matter - actor life , as actor ,in Ramesha K Barti Looks that Matter , Cinemalove,#films #webseries #cidlover,#actorlife, - Writer, Director, Actor, Author #rameshakbarti Looks an actor, Cid and Bullets, #CID Cid Fan Come lets Create, Live and be Happy
, Cinemalove,#films #webseries #cidlover,#actorlife, - Writer, Director, Actor, Author #rameshakbarti Looks an actor, Cid and Bullets, #CID Cid Fan Come lets Create, Live and be Happy
Saturday, 18 October 2025
Ramesha K. Barti: Filmmaker, Writer, and Storyteller
Ramesha K. Barti:
Filmmaker, Writer, and Storyteller
Ramesha
K. Barti – Writer | Director
Based in Mumbai | Native of Karnataka
Working in regional & multilingual cinema since 2009
Languages: Kannada, Hindi, Marathi, English
🎥 Selected
Works as a Writer & Director
Corporate
Film – Mercury EV
Watch here
(YouTube) | Watch on
Instagram
Mercury
EV Short
Watch here
Ad Film –
Icecric Trilogy
Watch here
(Full Film)
3.
Game Party
🏛️ Government
Ad Film Campaigns
📺 Ad Film
– Panchamrut
Watch here
🎬 Docudrama
– Paramahans Lakshminath Gosain
Watch here
🎞️ Feature
Film (Kannada) – Raghuveera (Co-Director)
Watch here
🎵 Music
Videos
·
Alvida
📚 Books
🎭 IMDb
Profile – View here
🌐 Google
Profile – View here
📝 Blogger
Profile – View here
📧 Email:
rameshakbarti@gmail.com
📱 WhatsApp:
+91 79773 66172
Ramesha
K. Barti’s career is defined by a fusion of creative expression and
spirituality[1].
According
to his profile, he began in Mumbai at age 16 – balancing hotel jobs with a
passion for cinema – spending hours in the Movie Empire film library, analyzing
films and even recommending titles to critics[1].
This
early immersion gave him a deep understanding of the craft. His work is often
described as “blurring the lines between cinema, literature, and spirituality”[1], and he aims to make stories that are felt as
experiences rather than just watched
As one bio notes, Barti is “a talented writer
and director known for his diverse contributions to Indian cinema, television,
and digital content” underscoring his wide-ranging vision and diligent work
ethic.
In his filmmaking career Barti has taken on multiple roles.
He wrote and directed a 2023
biographical docudrama on the saint Paramahans Lakshminath Gosain[3] (often cited as Goswami
Lakshminath Paramahans / Babaji )
and co-directed the Kannada feature
film Raghuveera in 2018[4].
He also wrote and directed numerous
short-format projects: for example, a 2024 trilogy of ad films for the Icecric
Gaming / online brand starring Sunny Singh[5].
In addition, he has created music
videos (including Main Kehta Rahoo for B4U Music[6])
and corporate films. His hands-on
approach means Barti often overlaps roles (writing, directing, even editing) to
bring authenticity and emotional depth to every project.
Barti’s work as an author and storyteller. Beyond filmmaking, Barti is
also a published author and actor. In 2024–25 he released a trilogy of novels –
Moon Stone: Vishwaguru, Eleven: Shrigandha, and Ahvanam
– which have been praised as gripping thrillers[7].
These books draw on ancient Indian
themes and have been described as “highly recommended for thriller and suspense
lovers”[7]. On screen,
Barti appeared in CID Season 2
(2024–25) as the character “#Falki” in the episode Jungle, a
performance that won positive attention from audiences and creators[5]. This blend of literary and
on-screen work highlights his storytelling versatility.
Selected
Works
·
Docudrama – Paramahans Lakshminath Gosain (2023), a biographical film on
the revered saint[3].
·
Feature Film (Kannada) – Raghuveera (2018), co-directed with Suryasatish[4].
·
Advertising / Corporate – Icecric.com Ad Film Trilogy (2024, featuring Sunny Singh)[5]; corporate film for Mercury EV Tech (2025).
·
Government Campaigns – Public awareness films for schemes like PM Awas Yojana and Ayushman
Bharat (2025).
·
Music Videos – e.g. Main Kehta Rahoo (2022, B4U Music)[6]; Bheegi Saanson Mein (2023); Alvida (2023).
·
Television & Web Series – Bullets (2021, Web, AD/Scripty)[8]; Rudrakaal (2021, Hotstar, 1st AD)[8]; Girgit (2021, Web, Associate Director)[9]; CID Season 2 (2024–25, Chief Associate Director/Actor)[5].
·
Books
– Trilogy Moon Stone: Vishwaguru (2024), Eleven: Shrigandha
(2024), Ahvanam (2025)[7].
·
Acting
– Role of “#Falki” in CID Season 2 – Jungle (2024)[5].
Across all these endeavors, Barti’s work has garnered recognition. His
thriller novels have been well-received by readers and critics alike[7], noted for weaving ancient wisdom with modern suspense. His portrayal
of Falki on CID was also praised by audiences[5]. In summary, Ramesha K. Barti’s multi-disciplinary portfolio—spanning
films, series, music videos, advertisements, and books—reflects a dedicated
creative vision and an enduring commitment to storytelling.
Friday, 27 June 2014
Narayanayam Description of Vaikuntha
Brahma said:
“Your elder brothers, my mind-born sons Sanaka and the others who had abandoned interest in worldly life from the start, could travel all over the universe through the sky. Once they went to Vaikuntha, the realm of Mahavishnu, which is an object of adoration for all. All the residents of that realm, resembling Mahavishnu Himself in appearance, had attained residence there as the result of the observance of Bhagavata Dharma (code of devotional discipline) without any self-centred motives.
The Supreme Being, possessed of all powers and auspicious attributes —
the embodiment of Dharma, and the subject of revelation for the Vedas —
abides there in a body of pure Sattva without any taint of Rajas, for
blessing of His devotees.
They went there, where the woodland of Nisreyasa (liberation) spreads out full of wishfulfilling trees ever in blossom, as if they were the state of Moksha manifested. There, devotees travel about in aerial vehicles with their womenfolk, fanned by breezes bearing the stimulating fragrance of flowers blooming on the surface of the lakes. Though the environment is sufficient to stimulate the passions in the heart, these devotees are oblivious of all that, in their absorption in singing devotional hymns about their Lord.
Thus, when the hovering bee makes its loud and sonorous sound, as if it were singing the glory of God, the chirping of the numerous birds — the pigeon, the cuckoo, the crane, the Chakravaka, the Chataka, the swan, the parrot, the peacock and the partridge — stops for a while, as if they were all attending to the bee's devotional hymn.
There the numerous varieties of sweet-scented flowers subordinate themselves to the sanctity of the Tulasi leaves, though the latter be of unrefined fragrance, seeing that they found favour with the Lord who has given a wreath made of them the most important place in His decoration.
There the place was covered with a vast number of golden pavilions studded with precious gems of various kinds — residences which could be obtained through nothing but devotion to the feet of Sri Hari. The devotee-residents with their mind immersed in Krishna were insensitive to the exquisite charms of the large number of beautiful women present there.
There, reflected on its crystal walls lined with gold, could be seen the unique figure of Sri Devi, as if she were sweeping the floor with the play-lotus held in her extended arms, while she moves about producing the murmuring sound of the anklets on her feet. And this is Sri for whose grace all gods and men labour!
On the banks of the coral-bedded lakes with sparkling and cool water, Sri Devi, while worshipping the Lord's image with Tulasi leaves, finds in these waters the reflection of her own face with high nose and curly locks (Alaka), and realizes that it is the kiss of the Lord that has imparted all this beauty to her face.
Those who avoid hearing about the activities and excellences of the Lord that destroy sin and purify the mind, but instead are interested only in other matters of a vulgar and polluting nature, destructive of one's mind's higher susceptibilities — such persons get no access to that region. Alas! These evil tendencies they have acquired drive them helplessly to regions of darkness.
They, indeed, are the casualties of the blinding power of the Lord's Maya, who fail to cultivate devotion to the Lord even after having obtained this human birth, wherein Dharma and Jnana can be achieved. Even I (Brahma) and other divinities long to get this opportunity of a human birth.
To this exquisite place go the devotees of the Supreme Being, the pure and immortal ones, who have overcome the sway of Yama, the god of death, and attained to a state higher than mine. Their eyes stream with tears and their bodies are covered with horripilations owing to the overpowering emotions that well up in them, as they converse among themselves about the deeds and excellences of the Lord.”
(Srimad Bhagavatam 3:15)
They went there, where the woodland of Nisreyasa (liberation) spreads out full of wishfulfilling trees ever in blossom, as if they were the state of Moksha manifested. There, devotees travel about in aerial vehicles with their womenfolk, fanned by breezes bearing the stimulating fragrance of flowers blooming on the surface of the lakes. Though the environment is sufficient to stimulate the passions in the heart, these devotees are oblivious of all that, in their absorption in singing devotional hymns about their Lord.
Thus, when the hovering bee makes its loud and sonorous sound, as if it were singing the glory of God, the chirping of the numerous birds — the pigeon, the cuckoo, the crane, the Chakravaka, the Chataka, the swan, the parrot, the peacock and the partridge — stops for a while, as if they were all attending to the bee's devotional hymn.
There the numerous varieties of sweet-scented flowers subordinate themselves to the sanctity of the Tulasi leaves, though the latter be of unrefined fragrance, seeing that they found favour with the Lord who has given a wreath made of them the most important place in His decoration.
There the place was covered with a vast number of golden pavilions studded with precious gems of various kinds — residences which could be obtained through nothing but devotion to the feet of Sri Hari. The devotee-residents with their mind immersed in Krishna were insensitive to the exquisite charms of the large number of beautiful women present there.
There, reflected on its crystal walls lined with gold, could be seen the unique figure of Sri Devi, as if she were sweeping the floor with the play-lotus held in her extended arms, while she moves about producing the murmuring sound of the anklets on her feet. And this is Sri for whose grace all gods and men labour!
On the banks of the coral-bedded lakes with sparkling and cool water, Sri Devi, while worshipping the Lord's image with Tulasi leaves, finds in these waters the reflection of her own face with high nose and curly locks (Alaka), and realizes that it is the kiss of the Lord that has imparted all this beauty to her face.
Those who avoid hearing about the activities and excellences of the Lord that destroy sin and purify the mind, but instead are interested only in other matters of a vulgar and polluting nature, destructive of one's mind's higher susceptibilities — such persons get no access to that region. Alas! These evil tendencies they have acquired drive them helplessly to regions of darkness.
They, indeed, are the casualties of the blinding power of the Lord's Maya, who fail to cultivate devotion to the Lord even after having obtained this human birth, wherein Dharma and Jnana can be achieved. Even I (Brahma) and other divinities long to get this opportunity of a human birth.
To this exquisite place go the devotees of the Supreme Being, the pure and immortal ones, who have overcome the sway of Yama, the god of death, and attained to a state higher than mine. Their eyes stream with tears and their bodies are covered with horripilations owing to the overpowering emotions that well up in them, as they converse among themselves about the deeds and excellences of the Lord.”
(Srimad Bhagavatam 3:15)
Thursday, 19 June 2014
Narayanayam
ShivayaShiva shared Narayanayam's photo.
4 hrs ·
“Why is Vishnu sleeping? Why is he not taking part in the world he has made? To understand this we must hear the Hindu story of creation, as told in the Puranas. Creation does not happen only once. As the cycle of seasons endlessly repeats itself, Vishnu creates the world of matter and withdraws it into his existence time after time.
This is how he creates.
There exists an eternal realm of light, stretching in all directions for infinity. As the light of this world comes from the sun, so the brilliance of that spiritual sky comes from the dazzling rays shining from the personal form of God. That energy of God, called brahman, is the basis of creation.
In one corner of that never-ending sky, Vishnu, the lord of all beings, created a cloud. In its shadow he brought into being a great ocean. The water of that ocean was quite unlike the water of this world. It is from that ocean that this world was made, so it is called the waters of creation. In the coolness of its waters Vishnu lay down to sleep. While he slept, submerged in the water, he began to breathe deep, regular breaths. Time came into being. Aeons passed.
Then came sound, the basis of the world. From sound came ether and the sense of hearing. The combination of ether and the sense of hearing created texture, which in turn produced air and the sense of touch. The mixing of air and the sense of touch created form, from which came fire and the sense of sight. The combination of fire and the sense of sight created flavour, which in turn produced water and the sense of taste. By the mixture of water and the sense of taste odour was created, and from it came earth and the sense of smell. Together these elements made up the ingredients for creation.
The Vedic scriptures describe how each element was created and how they are all related, one to another. They show how the senses of hearing, touching, seeing, tasting and smelling are each related to a particular element and how all are woven together to form a living world where all the parts depend on each other. If a disturbance is made in one part of this web its balance will be upset and a disturbance will be caused somewhere else. This disturbance may not just be in the outside world, but also in the internal health of our own body and senses. This kind of effect can be seen in the twentieth century in the damage done to nature and to our own health by the continued industrial exploitation of the environment.
With his outward breath Vishnu scattered clouds of tiny bubbles into the waters, and every time he breathed in they were sucked back inside him. Each of these bubbles, which seemed so small in comparison with his gigantic sleeping form, grew into an entire universe like ours, whose lifespan was equal to a single breath of Vishnu. All these universes were clustered around the form of Vishnu like foam in the ocean.
When all the elements of matter were present, Vishnu expanded himself and entered each universe, bringing it to life by filling it with souls, tiny particles of his own spiritual nature. These souls were filled with desires for enjoying the world. To fulfil their desires they needed material bodies. So began the second phase of creation.
From Vishnu inside each universe Brahma was born. Brahma created the planets and stars and all the thousands of demigods, each of whom was given charge of a particular part of the cosmic order. Indra was given the rain, Vayu the wind, Surya the sun, Candra the moon and Varuna the waters. Goddess Bhumi was given the earth.
Brahma and the demigods created the myriad life-forms of the universe, among them human beings. The demigods were given the power to grant great blessings to their worshippers. For Hindus these demigods are not just mythical figures. They are the powers behind the elements of the natural world such as wind, rain and the earth itself. These elements are usually taken for granted as being automatic forces working as part of a complex machine, but really they are under the higher control of the demigods. Even the earth planet itself is controlled, by Bhumi, and therefore Hindus always treat the earth with great respect, considering her as their mother who gave them life and without whom they would die. However, powerful though the demigods are, behind them lies Vishnu, and it is really he who creates and controls all. Without him they can do nothing.
It is said that the oceans are Vishnu's waist, the hills and mountains are his bones, the clouds are the hairs on his head and the air is his breathing. The rivers are his veins, the trees are the hairs on his body, the sun and moon are his two eyes and the passage of day and night is the moving of his eyelids. In the words of the Bhagavad Gita:
"Everything rests on me as pearls are strung on a thread. I am the original fragrance of the earth. I am the taste in water. I am the heat in fire and the sound in space. I am the light of the sun and moon and the life of all that lives."
Once the world came to life, filled with numberless living beings, Vishnu expanded himself into a third form and entered the hearts of all beings to sit alongside each individual soul as the Supersoul.
The individual soul, called the atma, is the basis of life. By its presence as the self, it gives energy to the body. The world is thus a combination of matter and spirit, innumerable life forms and the soul within them. When the soul leaves one body, that body dies. The soul then enters another body, like an actor changing clothes. Moving from body to body in search of happiness, it passes through all forms of life, from insect to demigod. Materially these life-forms are not of the same importance, but spiritually they are equal because they are all coverings for the soul. It is this soul that Vishnu accompanies in the heart of each being as the Supersoul.
The Mundaka Upanishad gives a simple allegory for understanding the Supersoul. There are two birds sitting on the branch of a tree. One bird is tasting the fruits of the tree, some bitter, some sweet. The other bird is a friend, watching the first bird. The friend is patiently waiting for the first bird to turn to him and share his friendship, but the first bird is unaware of his presence. The tree is the body, the bird who tastes its fruits is the individual soul, and the friendly bird is the Supersoul - Vishnu - who offers his protection, friendship and love.
For Hindus, this world is not made of inanimate matter, to be wasted and exploited for selfish ends. When they see the sunrise and feel its scorching heat, when they taste water or smell the earth in the monsoon rains, they are reminded of Vishnu. Vishnu is both inside it and outside this world, and it cannot be separated from him. All is sacred, God-given and mystically created. It all came from Vishnu and it will all return to him in the end.
Although Vishnu is sleeping in the ocean of creation he is not unaware of the actions of his offspring, the tiny souls. In their hearts he is following them as they journey through the vastness of time and space. Waiting. Watching.
"Everywhere are his hands and legs, his eyes, heads and faces. His ears are everywhere. He knows all things, past, present and future. He also knows all beings. But no one knows him."
He knows all beings, but they do not know him. It is they who are unaware of him. That is why he is sleeping. It is really not he who sleeps, it is the souls of this world, who are asleep to him. He only waits for them to turn from the worldly tree and return to him and to their original home in the eternal world of light.
Friday, 2 May 2014
Saturday, 5 April 2014
Bharathipuradamma Festival - invitation from 10th april to 4th april
OM GANGANAATAYE NAMAHA
SHREE LAXMIDEVI KRIPA
Please accept our obeisances. All glories to Sri laxmidevi bharathipuradamma
It is with great joy that we bharathipura villagers would like to invite you to the grand festival of the Sri Sri laxmidevi aamma jatre rathotsava and rangada habba [bharathipuradamma] .
on this auspicious occasion from 10th april 2014. to 14-04-2014
Bharathipura villagers and youngsters ,devotees would like to welcome you to be part of this spiritually promising, powerful and sacred event.
we humbly request you to kindly grace this spiritually colossal festival as yet another spectacular offering unto and for the pleasure of Divine Grace laxmideviamma
Please come with your family and allow us to serve you in a mood of love and humility and make your presence with us a memorable one.
www.bharathipurasamsthana.blogspot.com
for any enquiry please call
Ramesha 9820866386 [regarding bharathipura blog , facebook group and page management and gr ]
krishne gowda 09483232509 regarding festival information
Also spread the word around and extend the invitation our behalf.
With much appreciation!
BHARATHIPURA VILLAGERS
all the details are given below
10 - 04-2014 THURSDAY - NIGHT 8 PM
HOOVINA TERU
11-04-2014 FRIDAY - NIGHT 8 PM
SIDI AND BHAIBEEGA
12-04-2014 SATURDAY - AFTERNOON 01 PM
BHRAHMMA RATHOTHSAVA [TERU] FOLLOWED BY
ANNA SANTAPRPANE AND PRASADA VINIYOGA
13-04-2014 SUNDAY EVENING
RANGADAHABBA AND UTSAVA
14-04-2014 MONDAY AFTERNOON 2 PM ONWARDS
HOKALI HABBA AND MAHA MANGALA AARATI
AND ALSO
FIRE WORKS
SWAMIDEVARA KUNITA
RANGADA KUNITA
UTSAVA MERAVANIGE
PLEASE COME AND GET THE BLESSINGS
ALL ARE INVITED WITH YOUR FAMILY TO THIS HOLY FESTIVAL ARGANISED BY
BHARATHIPURA VILLAGERS
DEVOTEES AND OTHERS
SHREE LAXMIDEVI KRIPA
Please accept our obeisances. All glories to Sri laxmidevi bharathipuradamma
It is with great joy that we bharathipura villagers would like to invite you to the grand festival of the Sri Sri laxmidevi aamma jatre rathotsava and rangada habba [bharathipuradamma] .
on this auspicious occasion from 10th april 2014. to 14-04-2014
Bharathipura villagers and youngsters ,devotees would like to welcome you to be part of this spiritually promising, powerful and sacred event.
we humbly request you to kindly grace this spiritually colossal festival as yet another spectacular offering unto and for the pleasure of Divine Grace laxmideviamma
Please come with your family and allow us to serve you in a mood of love and humility and make your presence with us a memorable one.
www.bharathipurasamsthana.blogspot.com
for any enquiry please call
Ramesha 9820866386 [regarding bharathipura blog , facebook group and page management and gr ]
krishne gowda 09483232509 regarding festival information
Also spread the word around and extend the invitation our behalf.
With much appreciation!
BHARATHIPURA VILLAGERS
all the details are given below
10 - 04-2014 THURSDAY - NIGHT 8 PM
HOOVINA TERU
11-04-2014 FRIDAY - NIGHT 8 PM
SIDI AND BHAIBEEGA
12-04-2014 SATURDAY - AFTERNOON 01 PM
BHRAHMMA RATHOTHSAVA [TERU] FOLLOWED BY
ANNA SANTAPRPANE AND PRASADA VINIYOGA
13-04-2014 SUNDAY EVENING
RANGADAHABBA AND UTSAVA
14-04-2014 MONDAY AFTERNOON 2 PM ONWARDS
HOKALI HABBA AND MAHA MANGALA AARATI
AND ALSO
FIRE WORKS
SWAMIDEVARA KUNITA
RANGADA KUNITA
UTSAVA MERAVANIGE
PLEASE COME AND GET THE BLESSINGS
ALL ARE INVITED WITH YOUR FAMILY TO THIS HOLY FESTIVAL ARGANISED BY
BHARATHIPURA VILLAGERS
DEVOTEES AND OTHERS
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